6/10/2023 0 Comments Kylie minogue fever zip share![]() She flew straight to the US to work with Mark Picchiotti in Chicago before returning to the UK to finish the album at London’s Olympic Studios and Biffco’s studios in Dublin. Work on the album resumed after Kylie completed her On A Night Like This Tour in May in Australia. As well as asking Cathy and Rob to submit more songs, she teamed up with writers that she’d worked with on Light Years, Steve Anderson and Biffco, Ash Howes and Julian Gallagher as well as several new writers/producers who had submitted tracks. The song informed the direction of Kylie’s next album and, feeling inspired, she headed into the studio to begin work on the album, collating writers, producers and ideas before she went on tour. We knew it didn’t need another lyric, so I just went ‘la, la, la…’” “We had the ‘can’t get you out of my head’ bit and we had the bridge, but it needed another hook. “It was a very natural and fluid process, the whole thing was written in about three-and-a-half hours. “Even though Kylie wasn’t the first artist to be offered the song, I don’t believe it was meant to go to anyone other than her, and I don’t believe anyone else would have done the incredible job she did with it,” Cathy Dennis told M Magazine. Written by Cathy Dennis and Rob Davis, the song had already been rejected by S Club 7 and Sophie Ellis- Bextor before Kylie’s A&R man Jamie Nelson heard it and said it was the perfect song for the progression Minogue was looking to make musically. Then I started panicking: ‘Are you sure we’ve got it? No-one else is going to record it?’ I just wanted to get in the studio and record it as soon as possible, I was so excited.” “It was exactly what I was looking for – cool, edgy, simple. “From the very first time it was played to me I absolutely loved it,” Kylie said. To indicate the kind of direction they envisaged for her, they played her a demo of Can’t Get You Out Of My Head. The Goddess of Pop wanted to release Your Disco Needs You, a rallying call to arms inspired by the Village People’s Go West as a thank you to her gay audience for supporting her during her career lull, the label felt that the campy disco track would push Kylie further into niche act territory rather than broaden her audience. The genesis of the Fever album came towards the end of 2000 while Kylie and her label Parlophone were at loggerheads deciding what to release as a fifth single from Light Years (it had boundless possibilities). Having experienced pitfalls and frustration towards the end of her time on Deconstruction Records, the singer’s career rejuvenation tasted that much sweeter and she was desperate to maintain momentum, already laying down the groundwork for her next album before touring her current one. It’s hard to imagine now, but when Kylie Minogue, mid-way through a concert at Manchester’s Apollo Theatre in March 2001, introduced the song that would be her next single, it was met with sheer ambivalence by the crowd – trips to the bar or toilet and polite nods – none of us there that night had the foresight to imagine the effect Can’t Get You Out Of My Head would have when it was unleashed onto an unsuspecting public a few months later.Īt the time riding the wave of success that was her comeback album Light Years, her first UK No.1 single since 1989’s Tears On My Pillow, Spinning Around, a No.2 duet with pop’s golden boy Robbie Williams and a show-stopping performance at the closing ceremony of the 2000 Sydney Olympic Games, Kylie capped her remarkable comeback with the On A Night Like This Tour. Having made her triumphant return to pop with 2000’s shimmering disco opus Light Years, Kylie capped her comeback the following year with a streamlined new sound and a cool new image which saw her popularity reach fever pitch.
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